Lindsay Conrad is an active singer and non-profit professional in the New England area.
As a performer, Lindsay has sung with companies in the New England area such as Boston Modern Orchestra Project, Boston Midsummer Opera, Monadnock Music Festival, Odyssey Opera, New Repertory Theatre, OperaHub, Boston Opera Collaborative and Boston Classical Orchestra. Lindsay has debuted roles such as Naomi in Jonathan Bailey Holland's Naomi in the Living Room, Hilda in Beth Weimann's Until the War is Over, Muffy in John J. King’s award winning re-working of Der Vampyr, and Mabrouka in the Boston premiere of Mohammed Fairouz’s Sumeida’s Song. Other favorite roles include Sharon in Terrence McNally’s Masterclass, Musetta in La Bohème, Elettra in Idomeneo, Fiordiliji in Cosí fan tutte, and Alice Ford in Falstaff. Concert credits include the soprano soloist in Messiah, Mozart's Coronation Mass and Requiem, Saint Saëns' Oratorio de Noël, and the Lord Nelson Mass. She's been featured on the BMOP Sounds label in recordings of The Fisherman and his Wife and Four Saints in Three Acts, Kish Recording Studio's recording of Roger Rudenstein's Agnus Dei, and in multiple recordings of Beth Weimann's Until the War is Over. Lindsay is currently a singer with Dirigo Ensemble, based in Portland, Maine.
In her administrative life, Lindsay is passionate about working in the non-profit world. She is currently the Fundraising & Relationship Lead at Portland Trails, a non-profit urban land trust that connects the community through 70+ miles of trails. She is also the surtitle designer for Boston-based White Snake Projects. Most recently, Lindsay served as the Annual Fund and Leadership Gifts Officer at the Portland Symphony Orchestra. Past roles include the Director of Admissions and Student Services at Longy School of Music of Bard College, and Co-Director of Opera on Tap Boston, Production Administration Assistant for Boston Lyric Opera, and Managing Director for Boston Opera Collaborative.
Born in Alliance, OH, Lindsay's passion for music and the arts started at a young age. She started studying piano at age 7, and by high school expanded her studies to include string bass, flute, euphonium and voice. She received her Bachelor's Degree in Music (Vocal Performance) from Otterbein University in Columbus Ohio. While at her undergraduate program, she studied abroad in Florence, Italy for a semester with renowned soprano Valeria Ferri. After graduating, she moved to Boston where she graduated with her Master's degree in Vocal Performance from New England Conservatory. After over a decade of living in Boston, Lindsay now lives in Portland Maine and has made it her home base for her performing and administrative career.
As a performer, Lindsay has sung with companies in the New England area such as Boston Modern Orchestra Project, Boston Midsummer Opera, Monadnock Music Festival, Odyssey Opera, New Repertory Theatre, OperaHub, Boston Opera Collaborative and Boston Classical Orchestra. Lindsay has debuted roles such as Naomi in Jonathan Bailey Holland's Naomi in the Living Room, Hilda in Beth Weimann's Until the War is Over, Muffy in John J. King’s award winning re-working of Der Vampyr, and Mabrouka in the Boston premiere of Mohammed Fairouz’s Sumeida’s Song. Other favorite roles include Sharon in Terrence McNally’s Masterclass, Musetta in La Bohème, Elettra in Idomeneo, Fiordiliji in Cosí fan tutte, and Alice Ford in Falstaff. Concert credits include the soprano soloist in Messiah, Mozart's Coronation Mass and Requiem, Saint Saëns' Oratorio de Noël, and the Lord Nelson Mass. She's been featured on the BMOP Sounds label in recordings of The Fisherman and his Wife and Four Saints in Three Acts, Kish Recording Studio's recording of Roger Rudenstein's Agnus Dei, and in multiple recordings of Beth Weimann's Until the War is Over. Lindsay is currently a singer with Dirigo Ensemble, based in Portland, Maine.
In her administrative life, Lindsay is passionate about working in the non-profit world. She is currently the Fundraising & Relationship Lead at Portland Trails, a non-profit urban land trust that connects the community through 70+ miles of trails. She is also the surtitle designer for Boston-based White Snake Projects. Most recently, Lindsay served as the Annual Fund and Leadership Gifts Officer at the Portland Symphony Orchestra. Past roles include the Director of Admissions and Student Services at Longy School of Music of Bard College, and Co-Director of Opera on Tap Boston, Production Administration Assistant for Boston Lyric Opera, and Managing Director for Boston Opera Collaborative.
Born in Alliance, OH, Lindsay's passion for music and the arts started at a young age. She started studying piano at age 7, and by high school expanded her studies to include string bass, flute, euphonium and voice. She received her Bachelor's Degree in Music (Vocal Performance) from Otterbein University in Columbus Ohio. While at her undergraduate program, she studied abroad in Florence, Italy for a semester with renowned soprano Valeria Ferri. After graduating, she moved to Boston where she graduated with her Master's degree in Vocal Performance from New England Conservatory. After over a decade of living in Boston, Lindsay now lives in Portland Maine and has made it her home base for her performing and administrative career.